![]() ![]() if they can’t have Young and Rogan, they choose Rogan. They’re looking for other places where the revenue split isn’t that dramatic. Neil Young gave Spotify a choice, and its response is crystal clear. “In the music side of things, paying out roughly 70 percent of all the revenue that comes in. ![]() “I think it comes down to, just frankly, business,” said John Simson, the program director for the business and entertainment program at American University. The next year, Spotify spent nearly $200m to acquire the Ringer and its suite of popular podcasts, such as “Binge Mode,” “The Press Box” and its founder’s “The Bill Simmons Podcast.” And, of course, it reportedly spent more than $100m to acquire exclusive rights to a single show: the extremely popular, rabble-rousing “Joe Rogan Experience.” It also spent more than $100m on Anchor, a platform that lets users create and share their own podcasts. That year it purchased Gimlet Media, home of podcasts such as “Reply All,” “Homecoming” and “Where Should We Begin? With Esther Perel,” for an estimated $230m. To be sure, not all tweets that used the phrase were specifically supporting Neil Young or actually deleting Spotify. ![]()
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